The book is essential reading for anyone interested in the current debate about copyright and the Internet.
The Digital Public Domain: Foundations for an Open Culture
It opens up discussion and offers practical solutions to the difficult question of the regulation of culture at the digital age. Even though it has recently become a recurring motto, collaboration in the field of the arts is nothing new. No need to rewind too much: Surrealists, Dadaists, Situationists and Plagiarists already conceived the idea that all creation is derivative and worked in a cooperatively manner. In both cases the resulting creation is a product of convulsive beauty and common participation with a playful spirit.
However, in the first example collaboration arises at a local level, occurs in a shared physical space. In the second, the American festival has been created from the Web and users were able to participate in an event where artists that might have never met before created a collaborative work of art through multiple mediums. Yes, you got it!
What has changed is the scale. And that change is directly related to certain processes that have been brewing for the past three decades due to the existence of a young and educated population, which is connected through the Web and in active search for alternatives. As a result, what before was local now is global, what used to be confined to a domestic field, familiar and close, now acquires to a planetary dimension.
The Digital Public Domain: Foundations for an Open Culture - Page IV - Digital Library
The digital remix culture is a good example of the change of scale in co-creation. The Grey Album is a mash up record created by Danger Mouse and launched in It uses an a cappella version of the rapper Jay — Z combined with plentiful unauthorized samples of The Beatles. The album gained notoriety when EMI tried to stop its distribution pleading copyright infringements. That same year DJ Spooky remixed D.
In addition, the comparison between The Grateful Dead and Dj Vadim is useful to understand the change of scale that the Web 2. The cult band from California used to invite fans to record parts of their live performances and in many occasions reused those samples in their own music.
- Open Book Publishers releases “The Digital Public Domain”.
- THE DIGITAL PUBLIC DOMAIN Foundations for an Open Culture.
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- Decolonization in South Asia: Meanings of Freedom in Post-independence West Bengal, 1947-52.
- Book launch of ”The Digital Public Domain: Foundations for an Open Culture”, Brussels, June 18th!
Vadim takes advantage of the Web to offer his samples to anyone who wants to remix and upload them back. From the Press Release:. This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain — that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information — is fundamental to a healthy society.
The Digital Public Domain
The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing. The book is essential reading for anyone interested in the current debate about copyright and the Internet.
- Support: Materialize: Wall, Column, Slab, Roof (Scale).
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- The Digital Public Domain.
It opens up discussion and offers practical solutions to the difficult question of the regulation of culture at the digital age. Open Access helps spread educational materials to everyone, globally, not just to those who can afford it. A large proportion of scholarly research is publicly funded, so it seems only reasonable that its results be made available as widely as possible. Get your copy here , and have a browse of their other titles at www.