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Reality Studios , Volume 9, Numbers , ,. Poetics Journal Postmodern? Texts by Kathy Acker,. Dead pan.

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Its unconventional format - fan-folded computer paper in a ziplock bag, with cover art by local artists - reflects its editorial tastes : Works that test the boundaries of both form and content. Moore himself contributed an eight-page story called "The Mirror of Love",. An anthology of poems, prose, scripts and photographs by women, touching obliquely or directly on the quotidian, with an emphasis on the erotic, , In Camera Press, Detroit. Also in Bodies of Work Veronica's Revenge: Contemporary Perspectives on Photography. Biting the Error: Writers Explore Narrative ,.

NourbeSe Philip, Jena Osman, kathryn l. The legendary "Schizo-Culture" conference, conceived by the early Semiotext e collective, began as an attempt to introduce the then-unknown radical philosophies of post-'68 France to the American avant-garde. The event featured a series of seminal papers, from Deleuze's first presentation of the concept of the "rhizome" to Foucault's introduction of his History of Sexuality project. The conference was equally important on a political level, and brought together a diverse group of activists, thinkers, patients, and ex-cons in order to address the challenge of penal and psychiatric institutions.

The combination proved to be explosive, but amid the fighting and confusion "Schizo-Culture" revealed deep ruptures in left politics, French thought, and American culture. IV, No.

Images interspersed throughout texts. Edited by Amy Baker Sandback. Cover design by Barbara Kruger. Photographs selected and arranged by Louise Lawler in collaboration with Wallis. Every interview contains brilliant moments of wisdom. Vale — July 16, This book is amazing! Fascinating, stereotype-destroying, and informative. Diamanda Galas: After many years of basic classical piano lessons, I studied these avant-garde piano works in university graduate school. At the time it was a very heavy black scene not open to women. They revered singers like Billie Holiday; often, the way they played was a reaction to the voice.

The voice is the primary vehicle of expression that transforms thought into sounds, thought into message. And beyond the words with all due respect to them , the combinations of vocal and verbal energy can be overwhelming. Half my friends are HIV-positive; this is my life.

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So I began doing feminist theory challenging the prevailing construction of womanhood in the feminist movement. In very good condition; soft diagonal crease lower outside corner front cover; soft diagonal crease top outside corner front cover and through page 39; hard rub and small area of surface loss bottom corner of back cover at spine; points of light rubbing along edges; faint to light toning outside edges of book and clean interior; binding tight.

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More information about this seller Contact this seller Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.


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Vale, V. Great condition with minimal wear, aging, or shelf wear. Seller Inventory P Condition: New. Seller Inventory NEW Condition: Like New.

Re/Search #13: Angry Women

Almost new condition. Never used!. Brand New!. Seller Inventory VIB Leather binding Very good plus, no dust jacket.

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Rebound in leather with gilt lettering to the spine and original paper covers pasted down to the front and rear boards. Photographs, illustrations, backlist, index. There is a previous owner's name in faded gilt letters on the spine and a previous owner's blindstamp to the first page. This project began with the inquiry: 'Which artists are most in tune with the times - delvy deeply into issues which concern us now?

Book about Performance Art. Identified on spine as Angry Women Tony Pancotto.

A FEW COPIES USED at Our Office: RE/Search # Angry Women | RE/Search Publications

Published by Juno Books, U. About this Item: Juno Books, U. Soft Cover. No Jacket.