For Wolfe, television is about character, film is about story, and theater is about ideas. An insider's view of Black theatres of the world and how they reflect their culture, concerns, and history. He is the author of several books including, The Drama of Nommo and the editor of several play anthologies.
Contributors: J. Bryant-Jackson, Andrea J.
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- Paul Carter Harrison;
- Black Theatre: Ritual Performance In The African Diaspora.
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Harrison's TheDrama ofNommo identifies the "Nommo force," a name for the power of the word to convey a"spiritual intensity"or to invoke the spiritual realm or both ,which is utilized in the rituals in black everyday life and in the theater that derives from it,charging them with vitality.
Ritual—another keyconcept,whichAmiri Baraka calls "the oldest root of performance" —is theorized as "a specific, formalized , activity that a people create in order to achieve a particular psychological , physical, or spiritual result for individuals and the community" The goals ofritual are notjust to entertain the audience, therefore,but to transform it; ritual requires not only the audience's attention, but its participation as well.
Black Theatre: Ritual Performance | nadinegeorgegraves
These principles, Black Theatre contends, are among the most distinguishing features of the theater produced within the African diaspora. This volume extends the theories articulated in both Wilson's speech and Harrison's book, the latter of which is a touchstone for several of the pieces in Black Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
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