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Forum Rules. Remember Me? What's New? Results 1 to 2 of 2. Thread Tools Show Printable Version. Beethoven - Piano Sonata No.

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Huit Pièces Brèves, Op. 84: No. 2 in A-Flat Major, Fantaisie

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Schumann - Carnaval, Op. Mendelssohn - Lieder ohne Worte Scriabin - Piano Sonata No. Brahms - Variations on a Theme of Paganini, Op. Debussy - Children's Corner, L. Chopin - Nocturnes, Op. Medtner - Sonata Romantica, Op. Schumann - Kinderszenen, Op. Brahms - Six Pieces for piano, Op.

Schubert - Wanderer Fantasy, D. Chopin - Piano Sonata No.

Ravel - Le Tombeau de Couperin Haydn - Piano Sonata No. Scarlatti - Keyboard Sonata in E minor, K. Busoni - Fantasia Contrappuntistica, BV Grieg - Lyric Pieces Schumann - Grand Sonata No. Liszt - Hungarian Rhapsody No. Tveitt - 50 Folk Tunes from Hardanger, Op. Schubert - Six Moments Musicaux, D. Debussy - Suite Bergamesque, L. Brahms - Four Pieces for piano, Op.

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Chopin - Barcarolle in F sharp major, Op. Debussy - Estampes, L. Mozart - Prelude and Fugue in C major, K. Rachmaninoff - Ten Preludes, Op. Ravel - Sonatine Schumann - Papillons, Op. Ravel - Jeux d'eau Ives - Piano Sonata No. Berg - Piano Sonata, Op. Brahms - Seven Fantasias, Op. Medtner - Sonata Reminiscenza, Op.

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Chopin - Polonaises, Op. Chopin - Mazurkas, Op. Scarlatti - Keyboard Sonata in F minor, K. Granados - Goyescas, Op. Hummel - Piano Sonata No. Dutilleux - Piano Sonata, Op. Rachmaninoff - Etudes-Tableaux, Op. Brahms - Three Intermezzi, Op. Perhaps a more extrovert Polonaise such as the Heroic or the Military is more suitable for Mr.

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The mazurka is a Polish folk dance in triple meter, usually with a lively tempo and heavy accent on the second or third beats. Chopin brought this dance from rural villages to fashionable ballrooms and grand concert halls, and Mr. Kissin clearly realized this by rendering them as solemn and majestic concert showpieces, polishing the three Mazurkas especially the A minor one with refined details and beautiful craftsmanship. But the rhythmic interest and the rustic taste of these rural dances were missing.

The eight Chopin Etudes were a full display of Mr. He deliberately chose eight technically demanding Etudes to flaunt his infallible fingers, which he should always be proud of. The Op. Even the lyrical Op. Kissin adopting a flowing and rigid tempo in the opening section and a whirlwind pace in the middle. Once again, Mr. Kissin generously delivered five typical encores, including some Chopin Waltzes and Prokofiev March.

The spotlight on the stage had to be turned off to make audiences leave their seats. Though Mr. Kissin has the magic of dazzling every concertgoer with his impeccable virtuosity and infallible fingers, if he wants to reserve of a place in piano history, these are far insufficient. After 10 years, 20 years, or 50 years, this kind of recitals and recordings will surely be buried under loads of musically thoughtful and artistically memorable performances.