Appropriation of Language. Some Value-Terms in the Oratory of Aeschines. The study provides, on the one hand, a computational methodology to determine key concepts in the surviving speeches of Aeschines, and, on the other hand, an analysis of some of these key concepts appropriated by the orator: the The study provides, on the one hand, a computational methodology to determine key concepts in the surviving speeches of Aeschines, and, on the other hand, an analysis of some of these key concepts appropriated by the orator: the value-terms of decency, most of all sophrosyne, metriotes, and kosmiotes.
The investigation of these terms in the literary and epigraphic context of classical Athens reveals that Aeschines used these value-terms extensively for three basic purposes in his political struggle against Demosthenes and his followers. First, to position himself as a decent politician, second, to establish decency as a general political ideal for his fellow citizens, and third, to portray and metaphorically frame his opponents as downright contrasts to this ideal. Other key concepts like courage, education, democracy, and law are to be analysed in my future research along the lines of the presented methodology.
- Advanced Photoshop Elements 6 for Digital Photographers?
- The crimson sea!
- The Industrial Revolution A Compendium!
- The Coretta Scott King Awards, 1970-2009: 40th Anniversary (Coretta Scott King Awards Book);
Save to Library. Julia Aguilar. Sommaire du fascicule 1 tome , The aim of this paper is to present all evidence concerning the horkioi theoi of the Macedonians, to concentrate on the Tauropolos and to explain how and why the Amphipolitan Artemis was promoted to the goddess that followed the The aim of this paper is to present all evidence concerning the horkioi theoi of the Macedonians, to concentrate on the Tauropolos and to explain how and why the Amphipolitan Artemis was promoted to the goddess that followed the Macedonain army to the edge of the world, and continued to play a significant role in Macedonia under the last Antigonids and also during the early years of Roman presence.
We will turn then to the first appearance of Artemis in Macedonian royal iconography at Amphipolis and her links with the city of Orthagoreia in Aegean Thrace, a short-lived foundation of Philip II, its coinage and name that will explain in connection with Artemis. Iota Alpha O w mega motif.
Join Kobo & start eReading today
This piece is accepted for publication with Brill's Mnemosyne journal. Abstract: The present article hypothesizes that a bizarre omen story of Alexander's death belongs in a Hellenistic literary context rather than a historical Abstract: The present article hypothesizes that a bizarre omen story of Alexander's death belongs in a Hellenistic literary context rather than a historical Babylonian one.
Several texts, including the Greek Alexander Romance 3.
The court of Alexander decides to burn the portent. I suggest that the omen should be read as a manifestation of a teras in the Greek paradigm and, in support of this argument, I offer comparable evidence from numerous sources, including iconographical material and the animal prophecies, primarily from the Old Testament Book of Daniel. The article ends with some thoughts on how this teras interpretation of the omen story exposes the tale as a Hellenistic construct.
Epigraphy and the Greek Historian – Edited by Craig Cooper
Processi di formazione del mito. Part one of this short book focuses on the name Minotaur, Bull of Minos, and the mythological and epic traditions on Theseus, reported in Plutarchian Life and by some historians and geographers. Theseus is mentioned in the 1st Song of the Theseus is mentioned in the 1st Song of the Iliad by the old Pylian king Nestor, and in the 11th Song of the Odyssey during the s. He is connected to Thessalian Peirithoos in both poems, and his personal name occurs in Linear B texts from Pylos. This character is not a 7th-6th century BC Athenian invention accounting for Attic region synoikismos.
The background of the final traditions on this myth traces back to the Aegean Bronze Age up to 6th century BC Athens, similarly to the development of the Homeric traditions as well.
- Beyond Modernist Masters: Contemporary Architecture in Latin America;
- Bryn Mawr Classical Review ;
- What is Kobo Super Points?;
- Moral Purity and Persecution in History.
The inquiry leads to understand some points in this saga which refer to actual historical situations: the passages from Minoan supremacy to Mycenaean age and from the fall of Mycenaean Palaces to the reorganization of new centers in mainland Greece up to birth of the common form of the poleis and the Athenian leadership. Furthermore, did this financial reorganisation provoke a similar kind of response as the diapsephismos, i. It would be worth exploring some of these questions as well.
One of the best papers in this collection is that by Robertson.
He examines the names of the slaves recorded on IG I 3 a list of slaves honoured for fighting in an unknown naval battle towards the end of the fifth century or the beginning of the fourth and compares them to the names of citizens. His findings are interesting and important. Although there are some names which are used by both slaves and citizens, both groups also have names unique to themselves. Slaves are often named after places e. Names, therefore, may tell us less about the origins of slaves than sometimes hoped.
Indeed, there is much less variation in slave names than in citizen names, which are more likely to include civic, aristocratic, or military elements e.
Epigraphy and the Greek Historian
Theophoric names, surprisingly, are twice as common amongst slaves than citizens but each group favours specific gods or goddesses e. Apollo and Artemis are common amongst slaves, Dios Zeus amongst citizens. The phialai exeleutherikai inscriptions mentioned, but not discussed, by R. It's a pity R. Part Two 'Athens from the Outside' shifts the focus from Athens itself to Athenian relationships with other cities, especially in the context of Athenian imperialism. Pownall convincingly argues that Theopompos was the first Greek historian to critically use the evidence of inscriptions.
In her view this was done to counter Athenian imperialistic claims of greatness -- the idealized Athens which was the saviour of Greece in the Persian Wars and, therefore, deserved its imperial rewards. Theopompos was therefore positioning himself against fourth-century Athenian popular tradition.
This expansion of the epigraphic habit can be seen not only in terms of decrees of the polis of which the majority were honorific , but also in epigraphy which has a much more local meaning -- deme decrees, funerary epigraphy, dedications in sanctuaries, boundary markers etc. These hardly represent the imperialistic tendencies of the Athenians -- at least not uncomplicatedly.
Shrimpton's chapter on Ionia, though beginning and ending with an inscription IG II 2 the Aristoteles decree or the prospectus of the Second Athenian League , is the least epigraphical of all the contributions here.
Ancient Greek History
He shows how the Ionians and Athenians reworked the Theseus myth to negotiate the changed power structure of the fifth century, and how the Ionians shaped Greek cultural identity. It is a shame then that he did not exploit more the mainly hellenistic epigraphy of the region in general, well published in the Inschriften der Kleinasien series and the relatively recent IG XII. Even Ager's Theran chapter ends up ultimately discussing Athens and Athenian imperialism. This, the final contribution, tries to use the Theran inscriptions to flesh out the meagre literary sources for the island.