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It is the same with architecture… This book offers student architects a series of twelve exercises that will develop their capacity for doing architecture. Each exercise is divided into a short series of tasks aimed at developing a particular theme or area of architectural capacity, providing prompts for practice.

The exercises deal with themes such as place-making, learning through drawing, framing, light, uses of geometry, stage-setting, the genetics of detail and many more. Exercises in Architecture builds on and supplements the methodology for architectural analysis presented in the author's previous book Analysing Architecture third edition, Routledge, and demonstrated in his Twenty Buildings Every Architect Should Understand Routledge, Together, the three books deal with the three aspects of acquiring any creative discipline: Analysing Architecture provides a methodology for analysis that develops an understanding of the way architecture works; Twenty Buildings explores and extends that methodology through analysis of examples as case studies; and Exercises in developing capability in architecture by following rudimentary exercises.

Even the most inventive and revolutionary architects of today owe debts to the past, often to the distant past when architecture really was being invented for the first time. Architects depend on their own imaginations for personal insights and originality but their ideas may be stimulated consciously or subliminally by particularly powerful buildings from history.

Each archetype is analysed through distinctive examples, following the methodology established by the author in his previous books. Archetypes have a timeless relevance. In adopting this approach, The Ten Most Influential Buildings in History is as pertinent to contemporary practice as it is to understanding buildings from antiquity, and offers insights into the bridges of influence that can operate between the two. I began this notebook in alongside some of the other notebooks in this series. I had the idea that I could devote separate notebooks to specific themes, and for a while carried around five or six notebooks.

Needless to say this discipline eventually failed. The present notebook began as a record of investigations of the relationships between architecture and the person. This theme, because it is so general, does prevail throughout the notebook, but its pages also contain material prepared for the book Doorway Routledge, , and drawings related to various trips abroad.

This notebook started as exploration of the theme 'time in architecture' but gradually other themes pushed their way in. Like the other notebooks in this series it has not been edited. This iBookstore edition contains a brief Introduction but otherwise is a facsimile of the original notebook. This notebook contains some of the research for the book Doorway. It was not compiled with publication in mind and has not been edited. Download 13 MB. You may also download this notebook for your iPad from the iBookstore. The iPad edition has:. This notebook started with a focus on the issue of 'place' but this gradually widened.

It too was not compiled with publication in mind and has not been edited. Download 14 MB. Download 12 MB. Metaphor is the most powerful component of the poetry of architecture. It has been a significant factor in architecture since the earliest periods of human history, when people were finding ways to give order and meaning to the world in which we live. It is arguable that architecture began with the realisation of metaphor in physical form, and that subsequent movements — from Greek to Gothic, Renaissance to Modern, Victorian to Vernacular… — have all been driven by the emergence or rediscovery of different metaphors by which architecture might be generated.

Curve is a divisive issue in architecture. Some see curves as expensive and decadent; others as an expression of transcendence — a way that the human mind can express its freedom from quotidian constraints. Jonathan Harris. Town and Country Planning in the UK. Barry Cullingworth. Walt Stanchfield.

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